Mar 01, 2020  The Fourth part of the gothic hit Alice Madness Returns. You play as Alice as you try to figure out what is going on in wonderland while trying to remember what happen the night your family died. The way that the save system works only allows for one save at a time. So if you want a completely fresh start; yes, you will have to delete the save file. However, once a Chapter has been completed, you can go back and play through again to get anything you may have missed, like pig snouts or memories, etc. Alice: Madness Returns is the sequel to the 2000 title American McGee's Alice, which was developed by Spicy Horse, a Shanghai-based video game developer, and published by Electronic Arts.It was first announced at the 2009 D.I.C.E. Summit, under the working title The Return of American McGee's Alice.

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Alice: Madness of the stage

Disclaimer: I do not own Alice Madness Returns; I am making no profit from this work of fiction.

When compared to some of Wonderland's more fantastical impossibilities, Alice considered Dreary Lane Theatre to be somewhat conventional. It may have been a massive playhouse beneath the murky waters of the Deluded Depths, but with its lavish décor of silk curtains, thick columned boundaries and multi-level boxes fashioned with arched viewing decks; it could have easily passed for any of the Theatre Royals back in London. That was if it had had a ceiling of course.

Walking down the aisle between the rows of arena seats, Alice approached the immense theatre stage like a blushing bride on her wedding day. She could already see the Walrus, a leviathan sea creature bedecked in the colourful garb of a jester or clown, sleeping peaceful atop the water logged timbers. It was a humorous sight to behold and yet in some strange way, it reminded her of when she was young, before her family died when she and her sister would sit in the nursery, giggling and whispering amongst themselves as they watched there nanny sleeping in the rocking chair. But that had been long ago, now her family was dead and Nan Sharpe was facing the prospect of becoming a common whore to pay off her debts. And it was all because of her…

'Ah…Alice; it is wonderful to see you again my dear!' Announced a joyous voice, causing Alice to look up in surprise as an abnormally tall man with shockingly bright tufts of red hair and dressed in a dirty apron and torn overalls that didn't cover the mangled peg leg that was in place of his left foot immerged out from behind the stage curtain. In his right hand was an immense hammer and he swung it from right to left as if he were a conductor and it his baton; leaving no doubt in her mind that this was Carpenter.

'Really, I don't even know…' She stammered, surprised by his familiarity. Although she'd heard much about the infamous pair of fish devours since entering the Deluded Depths, this was the first time she'd met the Carpenter and yet he spoke to her as If they were old friends. However he seemed unbothered by her concerns and waved aside her objections before continuing just as jauntily as before.

'Your arrival is filled with fortunitality itself. My pregnant show is about to pop, and requires only a modicum moment of your time to play a momentous part.'

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'Well I don't have much experience,' Alice mumbled, embarrassed by his proposal and at having to admit her own failing to a stranger. There were more pressing matters they needed to discuss however, 'but I do need to reconstruct my…'

'We can barter of course, I wager that a screwdriver or perhaps a nice hammer…' Carpenter suggested half-heartedly before jumping down from the stage to stand over her, twirling his oversized hammer around him as he did just to emphasize hiss point. Only Alice wouldn't hear of it.

'There is a train that is corrupting wonderland and I'm looking for help to restrain or destroy it' That got Carpenter's attention.

'Most vexitashious no doubt and we will approach the subject of that monstrosity directly, as to say eventually.' That last part the giant of a man murmured under his breath, as though he hoped the orphan wouldn't hear his muttering as he began to pace the length of the stage in urgent contemplation. 'But let us first mediate on the more important matter of the show. Due to some misconceptions about the brilliantly composed script; our stars, the tasteful and ever so tasty Oyster sisters, have failed to present themselves for our dress-rehearsal.'

'And you'd like me to collect them I suppose?' Alice snapped, growing angry with the Carpenter and his constant attempts to direct their conversation back to the matter of his stupid undersea performance. Didn't he understand that if they couldn't work together, there would be nothing to stop that infernal train from destroying wonderland and his precious Dreary Lane Theatre along with it?

'Why no dear Alice, I would never desire something so provincial of you.' Carpenter promised before ceasing his pacing and letting the hammer roll back to rest beside his temple as he lent back and cried out in woe. 'You see while I trust the delectable sisters to preform splendidly, but alas without a dress-rehearsal I fear I cannot gauge whether the mood of our audience shall be in keeping with my show.' Then with a magnificent flourish, he turned on Alice and pointed his hammer at her almost accusingly. 'And so Alice, I cordially invite you to star as my leading lady and preform an abstract piece of the shows wondrously enchanting burlesque dance.'

For the longest time, Alice was stunned. Not quite sure if she should believe what he was proposing, she looked up at him with disbelieving eyes and anxiously waited for the punch-line; when it didn't come she balled her fists at her sides and began to shake with furry until finally she couldn't contain herself. 'Are you insane Mr Carpenter? You wish me to dress and preform like a common harlot whiles the fate of wonderland is hanging in the balance. Would you have me prance like a pony too, or perhaps you'd disgrace me completely and take me to bed on your stage before the eyes of your precious audience.' She was so angry, the fires of her outrage were making the waters around her bubble and it was only when he appeared to raise his hands in defence that she began to settle down.

'Calm yourself dearest Alice, I have no intention of making a spectacle of you.' Carpenter insisted, his numerous piercings jingling a tuneless melody as he waved his hands in protest. 'This shall merely be a dress-rehearsal and I your only audience. I beg only a dance from you and then I shall tell you all that you wish to know about that nuisance train.'

'And if I do this, you promise to help me destroy the train?'

'I give you my word as an orator, preform this dance for me and not even the jaws of a hundred sharks will stop my hammer.' He quickly mimed swinging his giant hammer into an invisible train before bowing before her submissively.

Alice was far from pleased with his proposal; however she needed the Carpenter's help if she was to put an end to the Infernal Train for good and his proposition was certainly more favourable than venturing back out into the deluded depths in search of a miracle. With a reluctant shrug, she gave him an affirming nod.

'Wonderful, if you'd like to go through there,' He said before gesturing with his hammer to a door just on the right of the stage. 'Your dressing room is the third door on the right; you'll find your dress in there. Take as long as like to get changed while I prepare the stage for your grand debut performance.'

As if seeing herself for the first time, Alice looked at her reflection with pure disgust. Not since her plunge into insanity had she ever felt so unlike herself.

The so called dressing room had proved even more Spartan than the state of the Dreary Lane Theatre would suggest. Its walls were a drab shade of red and unadorned by anything that could be considered decorative except for the oddly formed clusters of lichen. There was nothing nonessential or lavish, only a very water damaged dressing table with a large, crudely shaped stone at its side that she guessed was meant to serve as a chair; and a faded mirror that had more than a few cracks running down its surface.

It was there she'd found her dress waiting for her, hanging from the mirror on a piece of stiffened seaweed which had long since rotted and turned black; and it was exactly as she had feared. The costume reminded her of something she'd once seen an east-end whore wearing, little more than a corset, it was black leather with red stripes that cut down its centre and the bowed bust was lined with red fauna that went all the way round to the lacings at the back and its black tulle tiered netting skirt would probably go no further than her knees. Beside it hung a pair of fishnet stockings and a matching set of fingerless gloves that would go all the way up to her elbows, on the floor below was a pair of high heeled black fish scaled shoes.

Alice had wanted to scream, to ball her fists and roar with savage fury and swear her vengeance upon the Carpenter until she was as blue in the face as the swirling waters around her. Yet she had given her word, and Alice was nothing if not true to her word. With a defeated sigh, she'd undone the lacings of her Siren's dress and let the sea garment float down to pool around her feet. She'd tried to climb straight into the garment there and then, but it had been too tight and she'd been forced to remove both her bra and bloomers before climbing back into the suffocating corset. It hadn't been much better, but at least she could breathe again.

It had taken all her courage to look at her reflection and now that had, Alice would have liked nothing more than to cut out her own eyes and burn the image from her memory. She looked like a common whore, there was no over way to say it. Shaking with repressed anger, she tried to admire the more positive parts of her reflected likeness; the way her long lustrous locks of rich black hair floated on the swaying tides, the pale glow of her alabaster skin, and the fierceness of her emerald eyes. There were few who'd say she was anything but beautiful, yet no matter how hard she tried, Alice Liddell could see herself only as a whore in this garment.

'How fine you look when dressed as a whore.' A familiar voice remarked, causing Alice to jump in fight before whirling round to find the ever grinning Cheshire Cat looking up at her with those wide mocking eyes. 'But I'd beware if I were you; the Carpenter is a coiled viper waiting to strike at you should you walk this path.'

'What would you have me do?' Alice asked icily, turning back to look at her reflection and trying to ignore the way corset emphasised her breasts. She had to do this; there was no other way to save her precious Wonderland.

'Only the foolish believe there is just one way to achieving their ends, to find the light you must sometimes risk the darkness of a new road.'

'You know another way to save wonderland?' Alice asked hurriedly, sounding more desperate than she'd intended as she gave in to hope and turned once again to look at the gremlin like feline; only to have her hopes dashed.

'I cannot everything, ask and it shall be given; just don't ask me.' And then as quickly as he had come; the Cheshire Cat was gone.

'Damn that wretched Cat, why can he never give me a straight answer.' Alice grumbled while slipping her feet into the fish scale shoes. It wasn't like she wanted to do this, time was of the essence and the Carpenter had promised her answers if she danced ad so dance she would. However as she leaving, something shiny caught her amongst the bundle of her clothes and she turned to see that it was her blood splattered butcher's knife. The cat's warning rang in her ears one more time and she tempted to take it with her; only she couldn't think of anywhere to hide it and so was forced to leave it behind.

'Ah so good to see that you are finally ready my dear!' The carpenter announced as she walked back into the theatre house to find him waiting for her. 'And that dress, it makes you look positively stunning! A darling Angelfish so stunning, the very sight of you makes my heart and stomach swell.'

'Well…Thanks…I suppose.' Alice muttered as she brushed past him, unsure of exactly how she should take his compliment; if indeed it was a compliment at all. Moving amongst the stalls, she was pleased to note that the Walrus was gone; however apart from a large armchair being placed on the edge of the stage; the theatre house was exactly as she had left it. 'But nothing has changed?'

'And so the stage is set, the star has arrived, now at the show can begin.' The Carpenter declared, seeming to not hear her question as he effortlessly stepped upon to the stage and deposited the hammer by the chair whilst seating himself down in the worn leather's embrace. 'Come join me Alice and embrace the power of the stage!'

At that moment there was nothing Alice would have liked more than to run for her life, yet so much depended on her that she knew she couldn't afford to be craven. Telling herself that she was doing this for Wonderland, Alice came forward and hoisted herself up onto the stage and came around to stand before the Carpenter.

Awaiting his instruction, her stomach felt as if it was alive with butterflies and she anxiously tried to reframe from twisting the decorative fauna as she waited, feeling more and more like a deer caught in a hunter's sights with each passing second. However the Carpenter appeared to be in no rush and he made a lavishly exaggerated show of crossing his oversized legs before clapping his hands together. 'Alright then my lovely, you begun this magnificent piece with long kick…'

And so it began, for over an hour Alice became the Carpenter's marionette, dancing and twirling and kicking to his every word as though invisible strings were tied to her that he merely had to pull to make her sway to his tune. It was tiring work and she quickly felt her body grow hot against the chilled waters as she followed his hurried direction. There were so many commands, so many motions that every now and then she would miss a step or a kick and so the Carpenter would make her start all over again. Again and again she tried to master the awkward movements, to time the proactive kicks and arousing sways just right; and time after time she failed.

'Enough!' Carpenter finally declared, lurching up from his chair as for what seemed like the hundredth time she tripped over her own feet on fell across the stage. 'This debacle is more than I can stand. I fear, Alice you have all the grace of an old donkey, so it is left up to me to guide you through the steps of this seductive melody.'

She wanted to retort, to tell him to go fuck himself like the certifiable pimp that he was. However before her exhausted brain could fathom the words, he reached beneath his apron and pulled from it a corked vial of purple liquid. Not sure what to make of this, she watched as he opened the vial and brought it up to his lips and drank it all in one go. He dropped the glass phial when the purple substance was all gone; it floated on the tides for a moment before sinking to the bottom but Alice wasn't watching. Something incredible was happening to the Carpenter, his entire body had started to tremble and then began to shrink. It was almost as if he were a balloon deflating, first he lost a heads height and then an entire torso, it went on and on until he was half his original size and on par with her own.

Alice looked on as if she were seeing him for the first time; her rational mind not entirely sure what to make of his astounding display. He however was as collected as he had ever been, as if this shrinking act was much an everyday act for him as brushing his teeth and without so much as a bow, he came to stand beside her, his surprisingly powerful arms wounding around her waist as he seized her arms and made her assume the correct starting position. 'Now let us start again…'

As she began to dance, the Carpenter's hands ran across her body. She told herself they were merely guiding and supporting her through the motions, showing her body which to go and how to react so she wouldn't fall on her arse again. Yet something about this didn't fell right, the way his fingers were touching her; it were as if they were constantly searching out every tightly wound knot in her body before deft touches made her feel utterly at ease. It was so perverse and inappropriate, yet it just felt so good.

Carpenter smirked as he felt the girl relax against him, his skilled doings apparently having the desired effect as she all but came undone in his arms. This was proving easier than he could have ever imagined so with slightly less caution than might be considered wise, he let his hand travel down the curve of her spine to crease her lower back. As they moved and swayed to a silent song, he prodded and poked out all the tightly wound pools of stress in her young body until she had completely relaxed into his embrace and was deeply lost in their impassioning rhythm. There was no resistance in her now, she had become as loose and free as a water dancer; it was time.

'Now Alice, kick…'

She obeyed him immediately, her long leg come up in a swift arc that made the waters around them tremble, and he swopped down. Curling around her as he released his grip and fell to his knees, he moved effortless to kneel between her opening thighs. Delighted to find that she had removed her undergarments, he reached around and seized her full round buttocks in his hands and pulling to his waiting mouth. With a deftness refined by years of feasting on clams, he ran the tip of his tongue along her sex, feasting on her musky flavour before taking the nub of Alice's clit between his lips and sucking it greedily.

'Ohhh... Carpenter, what are you…no….stop it!' Alice gasped, surprised not only by this fresh violation but also by the pleasure it sent shooting through her like bolts of lightning. This couldn't be happening; she wasn't some immoral streetwalker that would roll into anyone's bed. So why then did his mouth feel so wonderfully good?

Giving no sign that he'd heard or even cared for her protestations, the Carpenter began attacking Alice's bud with a carnal fury, gnawing it hungrily between his teeth before flicking it with his silver tongue stud. Her flavour was delicious and he delighted in drinking her essence in with his tongue's every flick, until he could feel her body shaking against him in pleasure.

'No…I can't….oh god…why does it feel so good?' She moaned as every nerve her body began to grow hot with pleasure and she began to wonder if she would be burnt alive in the white hot fires of ecstasy. Unable to suppress her moans of pleasure, she writhed and thrashed against him as his silver stud traced patterns across her clit.

'My dear you should learn to relax. If you'll recall this is wonderland, the embodiment of your mind where all manner of enchantments exist, but they can never touch your physical self.' He murmured, but to immersed in his teasing to remove his lips from her person. 'Besides nothing may happen here that you do not wish to happen, everything you see is fashioned from memory and everything we do you desire. Perchance you didn't notice the bed we now lay upon now my delicious angelfish.'

No sooner had he said it then did Alice realise they were no longer standing and at some point a massive bed with a thick seaweed duvet had formed underneath them. Deep down, she must have wanted this but it was so dirty and depraved and just so…so good.

Sheer pleasure overtook her and she cried out with sudden abandon as his tongue abandoned her nerve filled bud to part her slick folds and plunge into her hidden depths. 'Oh Carpenter what are you doing to me? It feels so wonderful… I've never… I think I'm going to go crazy.'

'Why I am eating you, my delectable little Siren.' He growled while twisting and thrusting his tongue inside her and drinking deep as her body arched in response to his thick muscle writhing inside her while she wantonly rolled her pelvis against his mouth. Suddenly her fingers were in the bright red tufts of his hair, holding his head tight to her flesh as his long tongue burrowed as deep in her quivering channel as it could go.

'Oh God, your mouth is sinful…' She cried, nearing a state of total and utter delirium as she felt his silvered stud scrapping her inner walls. Something was building within her; she could feel its pressure mounting in her womb and knew bliss was almost upon her. She wanted to savour every exquisite sensation Carpenter's tongue was stirring but her desire to discover the untold pleasures was so great that one of her hands crept up her waist to cup her breasts through the fabric of her costume. Her nipples were already as hard as glass and were visibly poking through the dark leather as she squeezed her young tits, rolling and tweaking one of the pert buds between her thumb and forefinger. 'Oh God…Yes eat me Carpenter…Eat me…eat me!'

Almost ravenous with his hunger for the young woman, Carpenter's wicked tongue feasted on her tender flesh, swirling around her centre as he lashed her rough inner-walls, exploring her deepest depths and drinking in her divine sweetness like man parched and dying of thirst. By her squirming he could tell she was getting close, but was determined to prolong her bliss for as long as possible, making her wriggle and thrash in wild abandon. It wouldn't be long now…

Alice thought she was going to die. It felt as if the Carpenter's mouth was touching every part of her sex at once, she could feel his tongue probing deep inside her, his smooth stub scratching her quivering walls and even his large nose rubbing her clit. She could feel everything he was doing to her and of their own accord, her legs began to spread wider, opening herself completely to him while desperately grinding her core against his greedy mouth, making him lick her deeper. It was so good, so wonderful, she could…she could…

Like the swells of a tsunami, her first climax ripped through her without mercy in a titanic explosion of divine ecstasy. Her world vanished behind a brilliant burst of white light and she might have been screaming; only the great explosions going off in her head made it impossible to tell, but she could feel herself shaking to the ripples of pleasure coursing down her spine. Only when her release began to subside did she recover, her world creeping back to her bit by bit. First her sense of smell, than her hearing, and finally her powers of sight returned one colour at a time. She awoke to find the carpenter kneeling over her, his overalls gone and leaving him clothed only in his ridiculously sized trousers as he slowly licked his lips clean of her essence.

'Please…I want more…' She panted. 'Do that to me again Carpenter…I want to feel you eating me again…'

'Perhaps later, my little Siren; now it is time for our grand performance.'

For a moment Alice wasn't sure what he meant, but then he reached down and undid the fastenings of his trousers and pushed them down his hips to reveal and hard erection. Realisation quickly dawned upon her and for a moment Alice wanted to object, but then she remembered that sweet release and the Carpenter's earlier words. 'Fine, do as you wish to me. Just please make me feel it again.'

'Your wish is my command…'

Kicking the garment off so that he was now naked to her eyes, The Carpenter crawled between her spread thighs and positioned himself at her opening. Taking his hard cock in hand, he teasingly traced the bulbous purple head along her opening, making her moan softly before suddenly leaning down and seizing her lips in a passionate embrace. The kiss was passionate and intense, drawing them both closer together as their tongues met in a fiery dual that had Alice's toes curling. When they parted, she moved forward to resume the kiss but he pressed forward suddenly, plunging into her all the way up to the hilt.

Alice had expected to feel the pain of his entry, to cringe and beg him to stop as his erection broke her maidenhood and made her a woman; but instead there was only the pleasure of having his wondrous cock filling her quivering channel. A good thing too, because the Carpenter was neither slow nor gentile with her.

She'd thought she might have needed time to adjust to his size, but he was far from huge and his cock fit inside her perfectly. Delighting in their chemistry, she writhed and moaned as waves of indescribable pleasure ripped through her and she instinctively brought her legs up, allowing him deeper penetration as he withdrew before eagerly thrusting his cock back inside her tender flesh.

Keeping a tight grip on her craning hips, The Carpenter watched the final threads of Alice's composure come undone with obvious amusement. He began moving in a furious rhythm and didn't slack for a moment when she wrapped her milky pale legs around his slender waist. It felt wonderful being inside her; she was so hot and tight that her inner walls clung to him every time he impaled her, his lightly muscled hips hammering into hers with enough force to make her whole body rock in time to his movements.

'Oh God…it's so good… oh yes…oh yes…oh yes…' Alice moaned before tossing her head back into the mound of pillows, her eyes going as wide as saucers as she felt him filling her to her limits. Nothing else mattered to her now, not the infernal train or the danger it posed to wonderland and her ever fragile sanity, nor even that her very life could be about to end if she didn't get her answers soon. All she cared about was this delicious feeling of having him deep inside her as he fucked her like a common whore.

Grinning with triumph, the Carpenter held nothing back in his efforts to ravage her. Near wild with unbound passion, he drove into her depths with a powerful rhythm that had her trembling with ecstasy as he fought against succumbing to the feeling of her core consuming him. With each thrust, he'd pull almost all the way out of her before thrusting back into her again when only the tip of his dick remained inside her; a steady but quick rhythm that made the beauty beneath him moan out wantonly at every penetration.

'Ahhhh…it feels so good…so rough…so deep…oh Yes…Carpenter…I…I don't know how much more I can take…'

Watching her writhe in absolute pleasure and seeing the look of divine ecstasy etched across her features, he felt a great tide of satisfaction welling up inside him but for some reason his gaze kept drifting back down to her jiggling breasts. Small and supple, her bosom was straining against her black leather corset and with each of his thrusts they would roll and bounce to his tune. He wanted to see them, the very thought of her pale flesh and pert nipples made his loins burn…

One more savage thrust was all it took for her cleavage to suddenly pop free of their leather bondage.

With his mouth watering at the sight of their pear-like contours and milky skin topped by rose pink nipples, the Carpenter bowled his head and took her left breast between his clunky teeth. He sucked on her greedily, his long tongue swirling around her pert bud before catching it between his jaws and tugging gently as he enjoyed the feel of her slick sheath convulsing around his moving cock. He was perhaps being a bit too rough but Alice seemed to welcome his passions and reached out to lightly run her hands down his back, creasing the lean muscles that ran down his spine as her heels eagerly dug into his taught arse in earnest commands that left no room for argument.

She was now deep under his spell, a wench wanton and starving for his touch. Without a doubt he had done his work well, but now that the seeds of desire had been sown in her, he intended to make them flourish.

Tasting her breast one last time, he suddenly released her nipple and reached down to grasp her ankles before prying her legs from around his person. Free of her almighty grasp, he let her slowly sink back down onto the bed as he drew back until all of his glistening arousal had left her depths.

'What? No, don't stop…' Alice hissed, looking up at him with the fiercest expression as her emerald eyes blazed dangerously from beneath her dishevelled locks of ebony hair. 'I want more. My body's so hot, I can't stand it. Give me more of your cock.'

'Very well Alice, but first my little Siren I want to get on your hands and knees. This time I want to fuck you from behind.'

'Ok…Ok…but hurry, I want to feel you inside of me.' She didn't wait for further instructions before rolling onto her front and raising herself up. Eager to continue, she teasingly wiggled her arse at the Carpenter as her liquid desire rolled down her milky inner thighs.

Moving into position behind her, the Dreary Lane Director could barely contain his excitement as he took hold of his hard erection and guided it beneath the ruffles of her short skirt. Guided by the heat of her burning core, he fastened a tight hold on her waist before pressing the head of his arousal against Alice's inviting entrance and then thrusting inside as he resumed franticly fucking the pleasure drunk wench.

'Oh God…I can feel your cock slipping back inside me…it feels so good…I want more…more…' This new position, coupled with Carpenter's renewed penetration, caused an explosion of burning passion to burst inside her. Hot, volcanic pleasure burned through her and she felt herself falling into a river of delight as her lover ruthlessly ravaged her young body. Never had she felt so complete and at peace with herself.

Savouring and rejoicing the sensation of fucking this sweet creature from behind, the Carpenter gave no quarter and the sound of his hips slapping her shapely buttocks echoing out as he took her hard and fast. With a flurry of guttural groans, he drew back and slammed into her burning channel again and again, the feel of her tight walls pulsating around his hard arousal making him act almost bestial. He could feel his release gathering, yet he couldn't get enough of her and the sound of her wanton pleas for more only spurred him on.

'Yes…give me more…fuck me harder Carpenter…so good…I want it harder…I want…I want…' Alice could barely speak through the pleasure. She could feel something building deep inside her, similar to that feeling the Carpenter's tongue had stirred inside her and yet different, better. He was touching a place deep inside her, deeper than any place she had ever considered possible to touch and her hands pushed desperately against the mattress as she strained to rock her hips in time to his motions for a deeper penetration. Yet it wasn't enough, she needed more…

Almost as if he could read her thoughts, the director reached around her waist and down between her thighs to find her clitoris standing hard against her folds. He worked the bud mercilessly, trapping it between his digits and rolling it between his rough pads while continuing to slam his cock into her volcanic hollow. The mix of pleasure and pain catapulted her over the brink.

'Oh god…if you do that…oh fuck I'm going to climax…I'm going to climax!' Alice's words died away as her entire body began to shake, the orgasm she'd felt building suddenly going supernova in an explosion of white hot fire that swallowed up her consciousness; making her throw her head back in a soundless screech of ecstasy. Already perilously close to his own peak, the feel of the girl's walls tightening around him was enough to push the Carpenter over the point and he released a guttural moan as his quivering cock unleashed a torrent of his seed inside her.

Exhausted beyond all recognition, the beauty's arms gave out and she collapsed onto the bed in a boneless heap. Her dark emerald eyes were glazed and unseeing. 'More…I want…more…'

Removing himself from her delirious person, the Carpenter wore a self-satisfied smile as he got up from the bed and collected his overalls and hammer; however before exiting the stage he turned back to the delirious girl.

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'Ah my dear, that was an exquisite performance. I wish we had time for an encore, but alas time is slipping away and the time for my show's grand opening draws ever nearer. But a deal is a deal after all and I'd hate to leave you wanting for I was never the enemy you've sought. I wish only to hide this precious bit of wonderland from that beastly train. For you see we must all play our assigned roles in life, I am a guardian of the sea but what of you, are you a pawn or a queen or a whore. Whatever you decide, I advise you consider the prospect that you have been misled. And then ask by whom…' And as he left, a familiar skeletal feline skulked out of the shadows to sit before the bed.

'And so the curtain falls, the last act is done and another little fish has fallen to the Carpenter. Dear Alice, you have had a pleasant run but now the time has come to say farewell. Wonderland is done and this is scarcely odd because haste makes waste, and you've fallen into madness once more; the madness of lust.'

The End

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The general consensus from playing this game is that all of the 'Wonderland' segments (I.E most of the game) is in her head. That might not entirely be the case. Why does Bumby see Alice in her blue dress before he is killed? Because her 'Persona', which previously only existed inside of her psyche, has now has now emerged. Instead of common psychic powers, she can manifest weapons out of thin air, transform her body into blue monarchs, etc.

• Then again, Bumby may not be seeing Alice as she appears to us, since generally what we see is what Alice sees. He could have just been surprised at the Death Glare she gave him and the fact that she was standing up to him at all, but still only seeing her as the real world Alice.

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• Now that you mention it...if she gain her Wonderland powers in real life, then why didn't she use her vorpal blade, pepper grinder, hobby horse, or all of the above? Maybe she figured she wouldn't need to use any of those things. Or maybe she wanted him to die by train. It's not entirely clear...
• American McGee'scommentary seems to support the original argument.

In the first game, Alice was mainly fighting herself; the Jabberwock was the belief that she could have done more for her parents, the Hatter was her warped train of thought and distrust of doctors, the Cheshire Cat her superego and drive back towards sanity. From there, it can be assumed that the Queen of Hearts we fought was the 'malignant' part of her 'shadow', the part that has ceased to be a healthy container of repressed feelings and now the embodiment of self-loathing and self-pity. Her form reflects this; it's the central body of a mass of tentacles that weave throughout Wonderland, dragging it down much how like chronic depression takes over a person's life.

When Alice actually recovers a bit, symbolized by destroying the 'corrupt' Queen, it is marked not by the Queen's destruction, but her purification into a new form-what a shadow is supposed to be, rather then the cancerous growth that destroyed Alice's psyche. She's not friendly, by any estimation, but that's normal' the shadow very much is an Enemy Within, helping one define one's identity by being what one wishes to avoid. It also serves as a catalyst of evolution-the drive to be more than one's flaws.

Thus, when Bumby attempts to turn Alice back into a pliable wreck, the new, psychologically healthy Queen fights back, as the Train threatens the dissolution of the psyche-something that the shadow is supposed to prevent.

That's why he has that peg leg instead and why he's trying his best to keep him away from the Wonderland and feed him the inhabitants of Deluded Depths.

Lizzie is angry against Bumby for raping and killing her, and possesses her still-alive younger sister Alice to get her revenge against Bumby. It is clearly evident as the Queen of Hearts herself has the appearance of Lizzie. After her death, Lizzie has become angry and bitter with the knowledge of what happened to her, as well as the threat Alice is facing.

The Queen of Hearts gets angry at Alice and scolds her when Alice is unclear about things, asks her questions or tries to insist that she is not insane. The Queen criticizes Alice by saying 'You don't know your own mind' as well as Alice's denial, 'What you claim not to know is only what you've denied'. When Bumby tries to make Alice forget her memories, and after Alice has collected them back, the Queen asks 'What are you doing with them?' She also gets angry at the thought of Alice being defeated by Bumby and asscociates him with unpleasant terms 'You'd prefer the hot, stinking, breath and unyielding attention of a potent, unreasoning, unfeeling hell-raiser? I don't think so.' she reminds Alice of the train and what it is trying to do, especially that it is destorying her memories, of the fire in particular. When Alice insists that she is not mad and not guilty, she says, 'The truth you claim to seek eludes you because you won't look at what's around you!', angry that Alice cannot figure it out that Bumby is the cause of her madness. And before Alice's encounter with Bumby, when she asks the Queen what the Infernal Train's destination is, she says 'madness and destruction.' hinting that if Alice should be defeated by Bumby then Alice is doomed to insanity and physical decay due to her fate as a prostitute. She continues with 'You shouldn't ask questions you know the answers to, it's not polite. And that noise wasn't Lizzie talking in her sleep.', again agitated that Alice would ask questions to things that are obvious to Lizzie, that this is all Bumby's fault, and venomously reveals the truth of her own fate to Alice.

Alice, satisfyingly horrified, overcomes her fear of Bumby and escapes of his control to gather enought courage in real life to kill Bumby by pushing him across the train track, hence avenging Lizzie.

• According to the art book, the Queen's face is supposed to be young Alice, not Lizzie. Lizzie was several years older than Alice, presumably a teenager at the point of her death, not a little girl. The Queen appears to be the part of Alice that isn't in denial about what happened in that faithful night this time round.

A girl (with long hair and not lacking at all in the beauty department) struggles to regain control over her world, destroys monsters and overcomes daunting obstacles while wearing a dress, ribbons, stockings, gloves, a necklace and an apron. What does she fight with? A knife, a pepper grinder, a teapot (items used in cooking), a clockword rabbit, a hobby horse (toys and hence taking care of children) and dodges with a parasol. She manages to triumph over a man, regain control of her world and herself, avoid a fate as a prostitute by bringing the man (who is a rapist and a pimp) to justice by killing him and avenging her family and unfortunate previously-raped sister. Doesn't that just sound feminisitic?

• Victorian London was not a pleasant place for a vulnerable teenage girl like Alice. It isn't too feministic with the prostitution and rape because it's Truth in Television. The knife is, well, a knife; the Pepper grinder is an allusion to the pepper mad cook of the Duchess and the teapot references the Hatter's tea party.

Put simply, she let herself think she didn't know what happened because she (justifiably) didn't want to deal with witnessing what happened to Lizzie, or indeed the fact that the one responsible is now 'helping' her. By extension, this would mean that she probably also knew what Bumby was doing with the orphanage kids, and the dollhouse level is a representation of her repressed guilt, particularly the part where she has to walk between the giant doll's legs, symbolizing how she allowed such things to happen. While concious-Alice has repressed this to the level where she thinks she doesn't know, the Wonderlander's represent her subconscious, so they do, hence the Red Queen ('What you claim not to know is merely what you've denied'), the Hatter ('Forgetting is just forgetting, except when it's not. Then they call it something else. I'd like to forget what you've done. I tried. But I can't.') and the Caterpillar ('You may not yet have paid enough for witnessing the pain of others'). Yes, this WMG is very Silent Hill-esque.

• I always thought this was the intention in the first place.

It sounds a bit strange at first, but think of it like this: the reason why Pinkie is so bubbly and surrounds herself with so many friends is because she knows how destructive her loneliness and sorrow can be. She's trying to prevent Wonderland (and her sanity) from being ruined again. The party she throws for her family that earns her a Cutie Mark was merely her trying to spend as much time as she could with them before something bad happened to them again. In 'Party of One,' she thinks that no one wants to be her friend anymore, so she begins to relapse and starts having hallucinations.Cheshire is playing everyone in Wonderland. Despite being cryptic and vague, he always seems to know more than he let's on. Cheshire is the only one who actually gets Alice to the places she has to go and meet with certain characters but he never really explains why (unless someone is suggesting Alice is really gullible). There's also the one moment at the end of the first game where he was going to reveal thesecret about Alice and the Queen before his temporary death. There's also the fact that no one knows where he disappears to. I figure that he's scheming off camera. Let's not forget that Cheshire never gets lost and happens to know exactly where everyone is without having any method of tracking them other than possibly pure happenstance. Essentially what i'm getting at is that Cheshire is up to something and I doubt it will benefit Alice in any way.

• As for caterpillar, he serves as the wise hermit but there's reason on the basis of suspicion that he's working for/with Cheshire.
• Let's not forget in Queensland that eat me cake conveniently sitting on a table. Who left the executioner's weaksauce weakness there in the first place? The Red Queen wouldn't've left it there, unless...
• Well, the Cheshire Cat is infamous for useless - I'm sorry - cryptic advice but also for being Alice's best friend and moral support. It would make sense for him to use his teleportation to help her in small ways. Not to mention that he is just as terrified of the Train as everyone else and has a sense of self preservation, him leaving the cake might not be that far off.

The start of chapter 5 wasn't a flashback. Alice ended up back in the asylum, possibly as Bumby realized how bad a job he was doing of making her forget and didn't want her to tell anyone what he was doing. She was either lobotomized (hence why she was bald for that segment?) or just having another one of her Wonderland hallucinations (but one that carried over to the 'real world'). So, she remembered what happened to her family, sussed out that Bumby was pimping the orphanage kids, and avenged Lizzie, but justice was never served in reality; the 'doctor' is going to carry on with what he was doing and Alice is going to be incarcerated in Rutledge for gods know how long. How's that for a Downer Ending, eh?Because there will be someone new helping Alice in the real world to separate Londerland back into its original forms(but with London looking more bright). This person will also be able to see Wonderland and will look like a normal person to the player but whenever Alice sees him he'll appear as the white knight. The name of this man helping Alice well it's not that hard to figure out but it's Charles Lutwidge Dodgson(the real name of Lewis Carroll).

• I would have to disagree. The alicewiki page for this suggests that Alice's father wrote the stories for her. Lewis Carroll is never mentioned in-game. If you want to go based on history Lewis was the Liddell family friend for a few years leading up to the fire. The problem lies with the fact that the year before the fire based on a few missing pages in Lewis's diaries that something happened to make the Carroll-Liddell friendship to become unstable. The friendship became distant and then nonexistent. Besides I would think he would've stepped in as Alice's legal guardian thus avoiding Bumby completely. No, if the White Knight does appear he would be... someone else completely different.
• She had been suffering horrible times since her house was burnt down. She didn't has anybody to take care of her, nor an uncle or aunt, nor grandparents. She have to ressort to Wonderland, because the world has been so harsh to her for ten years, more than half her life. If this story is going to have a happy end, it must have a Real World Person that cares about her. And I say Person, not a Complete Monster! I would be glad to see Lewis, as a white knight, helping her.

*Bumby is just trying to heal Alice. The fact that he killed Alice's family is nothing but Alice's delusions. She did not kill Bumby, either. It's all in her mind.

• The whole story seems to make more sense if you bring this monster to the equation. She spent her whole life in an asylum, so her only memories and experiences would be her happy infancy with her parents and the horrible time with the psiquiatrists, who commited her to tortures. In the last episodes, there are sexual themes that only a Complete Monster could have put in a child's mind.
• Her mind was already shattered. She just added another layer of delusion on top of what was already going on there - Bumby was the only person who managed to get close to her to let her open up a little, and then proceeded to poke around in her mind. Regardless of his intention, at that point, Alice's mental defense kicks in - he's in her mind, doing things, he doesn't belong there, there's no way he's anything other than a monster according to her broken psyche. And seeing as we're in Victorian times, times of public sexual repression that often resulted in private debauchery, those scenes and themes aren't something a child couldn't have stumbled upon, so the images might have been there from before. Needless to say, this interpretation is so downright depressing and horrible that it needs to be killed with fire.

Wonderland hints at the true nature of her Witch's Labyrinth. Somehow she retains enough control over her emotions to avoid a lethal dose of Corruption. The reason she does not remember making a Wish with Kyubey is that the hypnosis therapy she took has made her forget this important fact, but as she acquires weapons and powers in Wonderland it all seems too familiar to her somehow. At the end of Madness Returns, Wonderland appearing to merge with the real world implies that she has somehow transformed beyond a normal Magical Girl without becoming a Witch and acquired some powers normally only accessible to Witches, and she can now exist both in the real world and in Wonderland at the same time.If the had more than one actual boss, the Final, the following would be how each of the fights would go in all first five chapters:

Hatter's Domain: This could either go in one of three ways. If the boss fight does happens, it would be a simple arena fight with the boss at the center of platform rings, with Alice firing the Pepper Grinder into various targets in order to overloads its systems and causing damage. Overall a slightly more complicated and far easier version of the final boss from the previous game. The second would be the boss trying to smash you while on a single square platform, with you attack both target and the robot's hands. Basically an easier and FAR less creepy version of the final of this game. The third way is exactly like in the final product, probably for laughs. No matter the direction, all three battles end with Hatter finishing off the boss with a giant tea pot.

Deluded Depths: You'll be obviously fighting against the Walrus in this fight, commencing before the scene in the final game when the train comes in. While mostly immobile, only capable of shuffling around, he's able to jump very high and perform powerful bellyflops on top of you and be able to spin around in a ball to flatten you. The only way to actually damage the walrus at this stage is with either the hobby horse or the teapot since his blubber protects him from anything else. The way to achieve maximum damage is to get him stunned or distracted. TO stun him, Alice must hit him with the hobby horse while he's rolling or planting a bomb under him while he's bellyflopping. The former is higher risk but deals more damage while the latter is safer but wields less damage since he's normally immune to bombs. The fight will play out on the stage, with the audience tossing in health items for Alice and occasionally garbage to temporary stun or distract him. Walrus would also be distracted by trying to eat the oyster performers and/or any audience members that somehow wide up on stage. Eating causes him to regain health, so Alice would need to lay on the hurt before he can regain the health lost. Once you defeat Walrus, the game would then saw Alice about to deliver the killing blow when the Train finally arrives.

Oriental Grove: After you enter the Caterpillar's inner chamber, the Wasp Shogun enters the chamber, demanding audience with the Caterpillar. He explains that his own homeland, including his Queen, was previously destroyed by the Infernal Train and he invaded the paper ant realm as basically his peoples' new home. He seeks the Caterpillar to find out how to stave off the train. The Caterpillar refuses to give the Shogun any answers, stating they are for Alice only. Angered, the shogun challenges Alice to a sword duel and Alice, begrudingly, accepts. In this fight, the ONLY weapon Alice can use is the Vorpal Blade, since this is supposed be a sword duel and the Vorpal Blade is the only weapon Alice has that's a blade. If she uses anything else, the Shogun kills her INSTANTLY. The battle then ends with the Shogun battered and beaten, and knowing there's no way he can help his people, perform hara kiri and kills himself. Alice doesn't give a damn and then converses with Caterpillar.

Queensland: When you enter the throne room, the Queen tries one more time to get rid of Alice, seeing herself as the one who would ultimately save Wonderland. You then fight a skeletal, decaying version of the Queen's true form from the previous game, showing how much influence she had lost in the time between games. The fact that the Queen is quite a distance away from Alice, the only way to damage the Queen is with projectile weapon entirely. Since this is merely a decayed undead version of the Queen, this fight will be MUCH easier than the first game. After defeating her, the Queen yields and the rest of the cutscene plays out like in the final game.

The Dollhouse: Like in the final game, there is no boss for this chapter. Considering the somber mood, the creepy atmosphere, and the increasingly unsettling imagery, an actual boss would seem completely pointless.

An observant player may notice that some numbers are found on more than one child, even in the same room. This leads me to believe that the purpose of the plaques is to rate them. Whether Bumby rates them himself or gets 'customer feedback'...

• The plaques weren't used as a rating system. There's an animation sequence that shows after Alice has went through the dollhouse section, (as she's starting to piece what's really happening together) of the kids going through a factory line and having the plaques placed on them. When this is being done, the numbers are chronological in order as each new doll/child comes through. Also, if you walk through the Wayward Youth orphanage center you see that no number is repeated and in a sequence.

I know it may seem like it: The Cheshire Cat tells her to find the Hatter, who points her to the Mock Turtle, who directs her to see the Carpenter (albeit ostensibly for entertainment), who has her looking for the Caterpillar, who has her heading in the direction of the Queen, who pretty much tells her she has much to do, and swallows her. And all along the way and thereafter, she have to fight Ruin and other evils, like the Daimyo Wasps. Seems like it would be better in some ways just to go to the Queen (if she didn't need those weapons and want those upgrades both weapon and health, that is).

But wait, this isn't reality, this is taking place in Alice's head. It follows that, under the guise of sending Alice to someone more helpful — or entertaining — these manifestation's of the parts of Alice's psyche are sending her around to parts of her mind that are particularly infested with Ruin in order to expel it and therefore, perhaps, bring her that much closer to sanity.

It's... hard to say if it worked at some point after the end of the game, but that makes the most sense to me as the intent.

• The whole journey could be to get Alice to collect all the memory pieces. While the Caterpillar and the Queen know what's going on, Alice won't believe them if they told her straight that her own doctor is the one who killed her family and raped his sister, or that he's pimping brainwashed children. They're her subconcious, they're by nature inclined to being criptic, surely the naked truth would have caused Alice's mind to collapse. Alice needed to collect all those memories first in order to remember her sister's past with Bumby, his own thoughts about what he was doing and some other memories of others to understand and fill minor holes (like Radcliff saying he would burn an awful hat if he ever gets one to destroy the evidence).

Around the parts of the dress where it's thinner (her left arm for example has a thin strand) it looks like it's flowing seamlessly into her skin. It's not actually a dress, it's all her.

Think about it: she's able to travel within a mental world that's all inside her own head, upon which her own clothes change into something more fantastical and reality defying, and she can even access weapons she does not carry over into the real world.

Maybe Alice is actually a Phantom Thief of Hearts without even being aware of it. The reason she never manifests a Persona or a mask representing that is because Wonderland is really her own Palace, and her distorted desires is her own Survivor's Guilt (from the first game) and later denying the truth of whats going on around her (the second game). She still has the clothes and fantastic abilities because she has the potential to have a Persona, like Haru did.

Her Cognitions are reliably distorted by her own insanity and childishness. The Griffin could be how she sees her Father, The Mad Hatter, March Hare and Dormouse as her father's friends, the Cheshire Cat as Diana (her own cat), The Duchess as Pris Witless, the Orderlies as Tweedledee and Dum, the Caterpillar as Mr. Radcliffe, the Carpenter as Nan Sharp and the Walrus as Jack Splatter, and possibly the White Rabbit to Lizzie. The Jabberwock is a Cognition of her own Family in general, that symbolizes her survivor's guilt much like Futaba's cognition of Wakaba did so as well.

Her Shadow, the ruler of said Palace, is none other than the Queen of Hearts. The Cheshire Cat does somewhat allude that they're connected, being 'two parts of the same whole', and the Queen says in the first game 'If you destroy me, you destroy yourself!'

As Alice goes through the place the first time, she rids herself of her distorted desires to not face reality and defeats her own Shadow (but not killing it completely as the sequel shows), removing most of her own insanity. The second time around, it starts reappearing partially because of her distorted desire to not see the truth (who killed her family, what's going on around her and whatnot). The Queen of Hearts is even helpful in the latter, trying to get Alice to confront the root of the problem. This somewhat mirror's Futaba's situation, whose Shadow is her repressed positive traits.

When she does start realizing the truth, she stops going into her own Palace and goes into Dr. Bumby's Palace, the Dollhouse. There, she kills the Dollmaker, who is Bumby's Shadow, which means she kills Bumby as well via Mental Shutdown and throwing him into an oncoming train.